Waves, sound and reflection
A wave transfers through a disturbance without requiring the medium as a whole to travel with that disturbance. In a transverse wave, vibrations are perpendicular to the direction of propagation. In a longitudinal wave, vibrations are parallel to that direction. Water-surface motion can be more complicated than a simple transverse model, so use the stated model carefully when interpreting examples.
is the distance between neighbouring points in the same phase, such as successive crests. is the number of complete cycles passing a point each second and is measured in hertz. Period is the time for one cycle, with. Wave is related to and by. Always convert centimetres to metres if is needed in metres per second.
Sound is a mechanical longitudinal wave and needs a medium. Electromagnetic waves, including visible light and radio waves, can travel through a vacuum. Pitch is mainly related to sound , while loudness depends on factors including intensity and the listener. Amplitude is the maximum from ; it is not the same measurement as , which is a distance along the direction of propagation.
Reflection occurs when a wave returns from a boundary. For a light ray at a plane surface, the angle of incidence equals the angle of reflection, with both measured from the normal. changes a wave’s direction when its changes across a boundary, except for normal incidence. The remains unchanged across a stationary boundary, while changes with .
A plane mirror forms a virtual image that is upright, the same size as the object and apparently as far behind the mirror as the object is in front. Lenses and curved mirrors require attention to conventions when using formulae. A ray diagram should identify the principal axis, relevant focus and actual or extended rays. Do not confuse a real meeting of rays with an apparent meeting of their backward extensions.
In wave calculations, write the required relationship before substituting values. If a wave has 5 Hz and 2 m, its is 10 m/s, while its period is 0.2 s. These two results describe different features. Graph labels also matter: a –distance graph can show , whereas a –time graph can show period; neither axis should be inferred merely from the curve’s shape.
Graph interpretation and phase
A –distance graph is a snapshot at one instant; a –time graph follows one position as time passes. Read from the first and period from the second. Points a whole apart are in phase, while points half a apart are antiphase for a sinusoidal wave. Amplitude is -to-crest , not trough-to-crest height. The wave's propagation differs from the instantaneous of an oscillating medium particle. A graph without labelled axes cannot safely a merely because its curve looks periodic. State which quantity each spacing represents.
Superposition and interference
In a linear medium overlapping disturbances add their signed displacements. Equal crests reinforce and an equal crest and trough can cancel at an instant. Stable interference requires a stable phase relationship: coherent sources share with a constant phase difference. Destructive interference redistributes in the overall pattern rather than destroying it. For in-phase sources, path difference nλ gives constructive interference and (n +½)λ destructive interference in the elementary geometry. If source phase changes, those location rules change. Add displacements first rather than assuming that overlapping waves stop one another permanently.
Diffraction and polarisation
Diffraction is spreading at an opening or around an obstacle. It is most noticeable when gap size is comparable with . Sound bends around everyday openings more conspicuously than visible light because its wavelengths are much longer. Reflection, , interference and diffraction support wave descriptions of many phenomena. Polarisation distinguishes transverse behaviour: a transverse wave can have its vibrations restricted to a chosen direction, while simple longitudinal sound in air cannot be polarised in the same way. A polarising sheet does not change every incoming to one ; monochromatic and polarised describe different properties.
Stationary waves and resonance
Opposite-travelling coherent waves of matching and suitable amplitude can form stationary patterns. Nodes have zero amplitude and antinodes maximum amplitude. Adjacent nodes are separated byλ/2. A string fixed at both ends fits half a in its fundamental, so. Higher ideal modes are integer multiples. An air column closed at one end has a node there and an antinode at the open end, giving ideal fundamental. Open-end corrections affect precise experiments. A resonant response involves supplied at a suitable driving , not generation of without input.
Sound, echoes and timbre
Sound intensity is per area, while loudness is perceived response depending on intensity, and hearing. Pitch mainly follows ; timbre depends on the mixture of overtones. Echo distance is vt/2 because the pulse travels out and back. Reverberation is persistence from multiple reflections and can help or hinder room acoustics depending on amount and purpose. In a resonance-tube experiment successive resonance lengths differ by approximatelyλ/2, reducing the effect of an unknown end correction. Use the sound specified and do not substitute light just because both phenomena are waves.
Key definition
Sound intensity
Power per area, while loudness is perceived response depending on intensity, frequency and hearing.
Exam keywords:loudnessperceivedresponsedepending
Beats, Doppler effect and string
Nearby coherent frequencies can produce periodic loudness variations called beats, with elementary beat |f₁ −f₂|. Beats can assist tuning by revealing a small difference. The Doppler effect changes observed when source and receiver have relative motion along the propagation direction: approaching sound is generally heard at a higher and receding sound lower under the usual conditions. It is not a change in the source's emitted itself. For an ideal stretched string, , so, where T is tension and μ mass per length. Distinguish tension T from period T by context.
The electromagnetic spectrum and reflection
Increasing runs from radio through microwave, infrared, visible, ultraviolet, X-ray and gamma radiation. Vacuum is approximately3.0 ×10⁸ m/s for all, so increase means shorter . Their uses depend on interactions with matter; no band is harmless at unlimited intensity. At a reflecting surface measure angles from the normal. A ray30° to the surface is60° to the normal. A concave mirror can form real or virtual images depending on object position; a convex mirror gives an upright diminished virtual image for a real object. In the spherical paraxial model, focal length is half curvature radius.
Self-check and physical boundaries
An echo arrives0.8 s after a pulse where sound is340 m/s. Total path272 m gives wall distance136 m. A0.60 m string with both ends fixed and fundamental100 Hz has wavelength1.20 m and wave speed120 m/s. Its second harmonic has a central node and twice the fundamental . A pair of tones at256 and260 Hz gives4 beats per second. Each result needs a physical interpretation in addition to: boundary conditions determine which wavelengths fit, an echo adds a return trip and a beat compares two frequencies. Sketch the arrangement before choosing a relationship.

